This assignment was to describe how you get ready to write.
When a story starts to move my pen – never a pencil – I lose any track of time. Hours, minutes, it doesn’t matter. I’m lost in the act, lost in the pictures and scenes in my head. The smell of fries blends with the dusky scent of a castle or keep. The cream twisting in the hot coffee becomes fog or strange-colored smoke twisting around and through a ghastly and skeletal apparition.
The images in my mind flow and stutter so quickly that if I type a story from the beginning, it jerks and twitches instead of flowing. I was so frustrated by this when I started my novel, until I picked up a lab book, barely touched. Forcing myself to hand-write slowed me down and made me consider detail and progression as I put the story on paper. It began to flow, make more sense, and I was able to get more down the slow way. Irony and irony and irony.
There is another situation in which inspiration will regularly visit. The great sternum-vibrating bass of a dance or electronica club, the smoke and dancing and black-lite and people-watching seem to just pull a story out of me. There’s something about watching the near-ecstatic bodies on the dance floor and the preening of the socialites and the mechanics of the mob at the bar that either unlock or just give me idea after idea.
In either of these settings, I’m usually able to relax and forget that people may be looking at me. It’s like a giant sigh and sitting in your favorite chair. It’s like finally letting the day go as you surrender to sleep. It’s like stepping over your home’s threshhold.