Batman Beyond

Batman BeyondTerry McGinniss makes a good Batman. There, I’ve said it.

Yeah, he’s a teen. He’s got a problem with authority, has high school problems, and has trouble learning to think before he acts. But he’s got redeeming qualities, too! He facepalms with the best of them.

I’d watched Batman: The Animated Series as a teen, and I had hoped that Batman Beyond would be a faithful continuation of that saga. While my hopes were misplaced, this show was worth watching in its own right.

My favorite characters weren’t the protagonists. I loved the concept of Inque. Commissioner Barbara Gordon was beautifully complex, and they didn’t shy away from her feelings about having been Batgirl, let alone her issues surrounding the Robins. Max does an amazing job of being Terry’s Lucius Fox, badass and vulnerable on top of ridiculously helpful. Don’t get me started on Henry Rollins as Mad Stan. I’d squee for HOURS.

I hated the Cobra gang. I couldn’t separate it from G.I. Joe, especially when they started giving nods to it. The new Royal Flush Gang were far more interesting adversaries.

The setting was a ridiculously large leap forward in time. From the 1950’s retro Gotham of Batman: The Animated Series to the hypertechnological Gotham of Batman Beyond was more than a one or two generation jump. And yet, in the intro, when I see old Gotham dwarfed by the titanic skyscrapers, I feel the thrill for that future that Marvel’s 2099 comics could never pull off. Let’s face it, Gotham doesn’t do anything half-ass.

I have (purely by accident, I assure you) addicted both the 12-year-old and the 4-year-old to this series. I found it on Netflix Streaming; check it out if you’re so inclined.

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Farscape

FarscapeWhen Netflix didn’t have all of the episodes of SG:U available for streaming, it was understandable. It was still relatively new, and barely out on DVD. When they ran out of their streaming licenses for Farscape halfway through watching, I got a wee bit irritated. Frelling trelks!

Once again, the Capital Area District Library came through. It had every episode on DVD, as well as the concluding movie.

Out of all of the twists and turns, the back and forth between Crighton and Scorpius, the magnificence of the aliens (played by actors and animatronic puppets), I think that what stuck with me most was the ebb and flow of Crighton’s madness. I cackled with glee every time he’d let loose with a string of unhinged TV and movie references, possibly grow a beard, and risk everyone’s lives on a gut feeling.

The writers weren’t afraid to make fun of themselves, either. They regularly referenced other science fiction, in print, film, and TV. Even their golden boy, Crighton, was confronted with his “wacky hi-jinks” and “everyman charm.”

I was completely pulled in. The characters quickly developed depth. The setting was enormous and detailed. The special effects were both cheesy and grand enough to satisfy me. The episodes forwarded the metaplot at a good pace, with a healthy peppering of smaller story arcs and alien-of-the-week  to prevent BSG-level heaviness.

I cared about what would happen to Crighton, to Aeryn, to D’argo, to Moya and Pilot, and even to Scorpius. Between the WTF ending of the series and the right-in-the-feels ending of the follow up movie, I’m left satisfied. Farscape is well worth the watch. Now, if you’ll excuse me, I have to learn how to hum the 1812 Overture.

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Woody’s Oasis

We have a lot of good food around here. A lot of really enjoyable, delicious food. So much so that I stare, open-mouthed, at people who bemoan the lack of anything to do. All you need to do, good friend, is go out there and eat!

Woody’s Oasis is where I first ate falafel. Woody’s is also where I fell in love with falafel. If Batman had gone there before he strung up Gordon’s corrupt partner, he would have taken care not to spill the falafel all over Gotham’s sidewalks.

DON’T SPILL THE FALAFEL, BATMAN!

Woody’s has a falafel sandwich, which is really a wrap, with pickled veggies and a tahini sauce that ties it all together. I pull a Pavlov’s dog and start drooling as soon as I think about unwrapping that crinkly paper wrapper, exposing the soft flatbread underneath… *AHEM* It’s a really good sandwich.

They also have great hummus, as well as a pretty good salad. They also have selections of store-made desserts, imported juices, and a full menu of stuff that I have yet to try. As of right now, they’ve got two locations – one on Trowbridge Road in East Lansing (new building!), and one on Jolly Road, between Okemos Road and Hulett Road in Okemos.

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Weekend Updates

I got half of Chapter 15 of The Glass Crown written in one sit-down. Not half bad. The end of the first draft is in sight!

On Saturday, Kaye Draper released the first part of what sounds like a sizable serial series. It’s called Moonlight Calls, and is available on both Kindle and the Nook. If paranormal romance is your thing, give it a look-see!

This didn’t happen this weekend, but for some reason I’m just getting around to it. Tom Brazeau, of Fatherhood fame, has had his story Eyes of an Angel picked up by Pants on Fire Press. Not only that, but it’ll be a hardcover, fully illustrated book. Keep up on either his deviantArt page for updates, as I’m sure it’ll be worth the wait!

Three is a lucky number.

I have this friend, and she’s a writer. She’s a stealth writer, though, and she uses a pseudonym, which makes it all super mysterious and romantic. It works for her, because she writes stuff that’s both mysterious AND romantic.

After trial, tribulation, revision, editing, jumping through the flaming hoops of the traditional publishing world, revision, rinse, wash, repeat, revise, and then three more iterations of all of that, she has decided to self publish. That’s right, instead of collecting digital dust on her hard drive, she has taken the plunge and made her works available for our hungry eyeballs.

And so, there are three novels, available to you, right now, for the Amazon Kindle! And if you don’t have a Kindle, and you want to read them on another device, all I have to say to you is: What, you’ve never heard of Calibre?

Click one of the links below to satiate your ocular organs:

Semantics Are Important

There are certain challenges that I am unable to resist. Wait, scratch that. It’s more accurate to say that there are some challenges that I have no desire to resist. Semantics Are Important is one of those challenges.

Remember my recent trip to Cleveland?  Okay, maybe not that recent.  Anyway, about a month back, Gil started a podcast. He’d already created a web page, had the first episode recorded, edited (mastered?), and posted. The second was in the works, and more were a certainty. He was hitting a wall with his technical skills, and wanted to get me involved in a professional capacity. I jumped on this immediately.

A point of context – I tend to move at a tectonic pace. A more “normal” assessment of the events might say that I spent a few days contemplating, doing some research here and there, and letting my excitement gather steam.  If that’s your flavor of normal, I can only say, “Whoa, there. Pull up a chair and sit a while. This weather’s rough. Want a coup of coffee? Tea? Hot chocolate? Meet the wife and kids…”

Once I got going, my pace significantly increased. We got the bulk of the site nearly mirrored from Wix to WordPress.com. Now all we have to do is wait to transfer the domain over. Why have I put in this effort? Why did I jump on this project? Well, a little extra income never hurt nobody. More than that, the podcast is Gil at some of his finest. It takes the philosophic  social, artistic, spiritual, and bullshit rants out of the bars, car rides, diners, and coffee shops that have housed them in the past and pipes them directly into your ear holes.

He says that we no longer need to suffer through the rants, wondering when he’ll just shut the fuck up.  Now, we can just turn the podcast off. Except, I don’t.

I anticipate the next episode.

I look forward to it. I enjoy hearing his larger-than-life voice come out of my headphones. I chuckle, I roll my eyes, and I miss my friend a little less.

I think you might look forward to it, too. Go give it a listen here.

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Enterprise, concluded.

All right, now that I’ve seen the entire series, let’s break this down. Fair warning, I am a long-time Trek fan, and can get a little nit-picky about some details.

  • Temporal war… was done already by the time that I wrote the last post. When they resolved the issue at the end of Season 3 and the opener for Season 4, that apparently unraveled the cause for the temporal cold war. Thankfully, they handle the time travel physics as consistently as possible to the Trek universe. Which is to say, I can’t put into words the rules involved in time travel, paradoxes, etc, but it feels solid. It doesn’t feel phoned in.
  • I wasn’t wrong to look forward to the mirror universe episodes. I have to think that they were having fun and knew that they didn’t have another season, because they seemed to throw everything into their mirror universe counterparts. There was a Vulcan with a goatee! And a whole new intro without a shitty song with shitty lyrics! On top of that, seeing the TOS ship from the primary universe whoop some newer-looking Enterprise-era arse was extremely gratifying. These two episodes were total fan service, and I loved them.
  • As for the final episode, I liked the concept, but it was implemented for crap. I’m not saying the Federation phase cloak discovery wasn’t an extremely stressful time for Riker, and I think that it was a neat idea for him to visit the decommissioning of NX-01on the holodeck to set his own internal conflict into perspective. However, Jonathan Frakes was… not the same man that he was during the taping of Next Generation. I was surprised as hell to see NCC-1701-D instead of E. It was difficult for me to suspend disbelief and see Riker as Riker, instead of a hastily slapped together linkng to the overall Trek universe. And lest you think I’m just a naysayer without any constructive input, I have two suggestions for better ways to end the series:
    • Instead of the discovery of the phase cloak device, fast forward to Picard’s retirement, and Riker’s promotion to Captain of the Enterprise E. Keep the nervousness, and cap off the character’s constant struggle with leaving Picard’s side to assume his own command. Appearance wouldn’t kick the viewer out of the story, and it would have ended Enterprise while continuing the progression of the Trek universe up until the reboot 8 years later.
    • Trash the entire idea, have the Traveler and Wesley Crusher show up in cowboy hats (and possibly an epic beard for the Wes), declare to Archer that they have a course he can plot, steal the ship, and conquer Risa in a bloodless coup.

I’m happy that the series didn’t suck rocks like I’d remembered. Except for the intro. Sooooo much rock sucking.

Star Trek: Enterprise

I get sucked into television. Much like when I read a good book, I get sucked in so far that I tend to close out everything else going on in the real world. When real life denizens dare to pull me back for whatever reason, important or not, I get irritated. So much so that I don’t want to watch shows or movies that I’m looking forward to until the kids have gone to bed. I want to be immersed in the story. I wouldn’t call it an addiction, but it is something that I have to actively fight when it comes to grander plans, like writing.

So, like some of my other compulsive quirks, I’ll defuse this one by sharing it.

When Star Trek: Enterprise first hit the airwaves, I was lukewarm about it. Starting off with time travel was ballsy, and I’ve never been impressed with the way that it’s been done on TV. Then there’s that infuriating, enraging, pluck out my own eardrums opening theme. Thanks to Netflix, I can skip its aural atrocities every episode. Nevertheless, I abandoned the entire series, and I don’t really remember why.

Could have been the Borg episode. Seriously, the Borg are going to show up before Q sends Picard out into the Delta quadrant? Was this because the Borg episodes in Voyager were the only really good ones? (Not that I’m opinionated.) I neglected to remember the time traveling Borg in the First Contact movie. The wreckage from the sphere had to go SOMEWHERE. So, in the end, the Borg episode was forgivable enough for me to relax and enjoy it.

The entire series is on Netflix streaming, so I added it to my queue. I’ve been watching it. I’ve been enjoying it. I’ve been awed and horrified at the amount of damage dished out to both the Enterprise and its crew. They tear the shit out of both. Just so much hull damage, system damage, blood of all colors, psychological damage, emotional upheaval… I’m impressed. And I’m enjoying it. The characters are developing (mostly), and to see the initial interaction between Humans, Vulcans, Klingons, and Andorians. Though, I was surprised that the Klingons had the ridged skulls, unlike in the original series.

I would have abandoned the series at the end of Season 3. Instead of getting a well-earned warm welcome home after months and months of hellish reality-warping travel and conflict, with the end of Earth always looming just in the distance, they get punked and sent back in time to World War 2. What, is this the Wheel of Time? Is this an Amy campaign? Am I watching any Spider Man movie ever? The slight was quickly remedied, and even explored some of the emotional and social scars left behind from all of the crazy that went on.

I haven’t yet finished the last season (4), but I’m greatly looking forward to the Mirror, Mirror episodes. I’m also hoping that they can tie up this temporal war crap before they got canceled. I mean, three seasons short of the standard Star Trek 7, so how hard did they have to scramble, and how much notice did they have?