Review: Questionable Content

Antro PCs are not to be trusted. Hipsters have feelings, too. These are the first two things that I learned while reading through QC’s archives. While the AI angle was something that snagged my interest, I have an active bafflement of hipster culture that is only increasing over time.

And yet I didn’t close the tab. This wasn’t my usual kind of webcomic, but I kept reading through the archives. I still can’t tell you why.

I think that the facepalm was invented for Marten, and the headdesk for Faye.

I’m still reading. PintSize makes fewer and fewer appearances, and I’m fine with that. Every character that gets introduced is interesting, flawed, and filled to overflowing with hilarious quirks. Every. Single. One. Even characters that seem to be designed to be one-shot and/or throw-away are missed when they go away. I don’t think any of them have stayed away for long, though.

Also, mad props for introducing and sticking with a transgendered character

How does he update so often with so much awesome? Be ready to care about the AIs you meet. Be ready to give a shit about a bunch of hipsters.

But not about that shouting bird. Screw that guy.

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Review: Justice League Unlimited

I’ve never been much interested in the Justice League. Superman and Batman didn’t seem like believable teammates (despite their many sightings at an unnamed diner). Hunter raved about the cartoon, though, and even more about Unlimited.

And then there was the crossover with Batman Beyond. What is a nerd to do? I had to at least give it a try. Lo and behold, I am glad that I did.

It didn’t focus on the founding members any more than it needed to, nor did it focus on Metropolis or Gotham City or Central City more than any other place. I think they made more trips to Apokolips than anywhere else, and despite being a relative DC newbie, I wasn’t overly confused by boom tubes or the abundance of deity involvement in the modern world.

The writing was both slick and cohesive, and the animation was pleasing to the eye. The characters went as much beyond two-dimensional as comic book characters can (or, arguably, should), and the development wasn’t limited to the original founders.

And thanks to Wren, I always squee when I hear the voice of Jeffrey Combs.

My only complaint is the show’s cancellation. I should be used to that by now, you’d think.

In any case, it’s available on Netflix. Go watch it!

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Too Dimensional

Just a quick note to let everyone know that my upcoming release, Too Dimensional, has been delayed due to an additional editing pass or three.

The good news is that the first story set in the Adam’s Name universe is nearly through that process.  After that will be the commissioning of a cover image, and then release!  I intend to put it out for free on DeviantArt and Reddit, and make it available for a nominal fee in both electronic and paper versions.  My goal, as always, will to make it as convenient and enjoyable to read as possible.

Tally ho!

Review: The Ocean at the End of the Lane

The Ocean at the End of the Lane
The Ocean at the End of the Lane by Neil Gaiman
My rating: 4 of 5 stars

I’ve never had to set down a book because it was too unsettling.

Until now.

I had only put it down for a day, and plowed through it after that. The story was disturbing, amazing, and thought-provoking. I don’t know that I’d call it fun, though.

The ending is sad, and left me a little despondent. I’d hoped that this time would be the time that something different happened.

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Bleeding Slowly

I have never had so much trouble writing something as I have with Chapter 2 of the Remembrance rewrite.

It’s 99% new content. There wasn’t much about Diane and Sebastian in the old Chapter 1 that needed to be kept. Truth be told, there wasn’t much about Diane and Sebastian in the old Chapter 1 at all. Outlining was a snap. Mapping out the events was possible, even as they needed to change. And change. And then change again.

Chapter 2 had me reconsidering whether I wanted to do the rewrite at all. It had Nikki asking the same question.

Professional writers don’t always like what they’re writing. It doesn’t always flow out of their pens (and/or keyboards) like blood out of a gushing neck wound in a 1980’s anime.  Sometimes, they’ve got to squeeze the words out of a paper cut drop by drop. Sometimes, they’ve got to do that over and over again until they’ve got something that they can be satisfied with, at least until the next draft.

The first draft of the new Chapter 2 is done, and it feels like I’ve bled a lot, very slowly. It feels like I pushed my way through wall after wall, didn’t have much fun, but wrote something that I would like to read. It feels like I’ve accomplished something.

The majority of Chapter 3 will be new content, as well. I’ve got my fingers crossed for a gusher.

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Review: Old Man’s War

Old Man's War
Old Man’s War by John Scalzi

My rating: 4 of 5 stars

I kept looking for a climax. I kept expecting the story to coalesce. I kept expecting the meaningful and emotional events to happen in a timed structure that would reveal a pattern in what was going on. My expectations were silly.

When I was nearing the end of the novel, I remembered that Scalzi was attempting to write in the style of Heinlein when he wrote this. I remembered that he had been congratulated on multiple occasions for achieving that goal. And then I remembered the only Heinlein book I’ve ever read, The Moon Is a Harsh Mistress. I say again, my expectations were silly.

Once I abandoned them, I was able to look back on my reading and notice that I had enjoyed every minute of it. As a self-described grumpy old man, I related to John Perry, and cared about what he was going through as he adapted to his new life and new surroundings. When he got thrown across the mess hall by special forces, I couldn’t stop myself from muttering, “Rut roh, Shaggy.” I now intend to track down the sequels, devour them, and get them signed, in whichever order presents itself.

While I didn’t have any problems putting the book down, I greatly enjoyed the ride.

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