Originally written on 27 November 2016.

It’s time to page back through the current story to see where I’ve gone wrong. I’ve hit that point where a pause becomes a block, and nine times out of ten, it’s because I’ve taken things down the wrong path. I need to keep in mind that this isn’t an editing pass, but instead it’s a recon mission. Let’s go backwards.

First suspect is the most recent bit, after they come out of the coffee bar, having gotten the info they needed from Yeong-cheol. Susan’s rage and fear and protectiveness catch up with her, and she flips out on Adam.

That was the intent, anyway. I don’t think it came across that way. I do a lot of telling here, instead of showing. I’ve done that a lot throughout this first draft, and that’s all right, it’s allowed to suck.

Thing is, I know who Susan is. Yeong-cheol, for all of his borderline bullying, knows who she is. SUSAN knows who she is. She’s not questioning or discovering that, like Adam is. She’s not rediscovering it, like her sister is.

She’s made the choice to hold on to as much of her humanity as she is able to. She’s chosen to follow love, to follow her living family, knowing full well what the possible repercussions are. Her conflict comes from dealing with the end of things, and that she brought it about. It’s not Adam’s fault, it’s hers. He’s doing exactly what she asked him to do.

Her caretaking of her sister is coming to an end. Her connection to her living family, as a consequence of that, is coming to an end. Her obscurity among her “second family” is coming to an end. Her punishment is coming to an end.

Yes, these are definitely precursors to new beginnings, but it’d be bad to skim over the pain and learning that come with all of these endings. I should be focusing on them.

• Make sure the scavengers are not a monolithic group of stereotypes.
• Have a bunch of the scavengers go with Susan to back her up with her creator.
• During the first editing pass, focus on Susan knowing who she is, but allow her to still fear rejection.
• Do some more research into OCD.

Originally written on 29 September 2016.

The scavengers congregate outside the silos, masquerading as the gathered homeless. They spend the day inside, if they don’t have another hovel staked out as their personal territory. The silos have been patched with rusting metal and tar to keep out the sunlight, and the doors are barred from the inside to prevent intruders. They value their privacy, and are not kind to strangers.

These are the vampires who turned Cole. The gun had been taken east to the Mother and her brood (Two Vampires, What No Eye Has Seen), and then a raiding party took it back. The gun isn’t particularly precious to the scavengers, but you don’t steal from them and get away with it.

Because of the theft, they have hidden the gun in one of their caches scattered throughout the area. As reviled and scorned as they are, safe houses and supply drops are incredibly useful. After Adam and Susan help defend the silos from the demon, the scavengers reveal the gun’s location and tell them it’s theirs.

Several scavengers will be burnt by the demon as they attack it. Susan will eventually risk the Sight, and through the madness of the demon’s mind, she’ll discover that Walter brought it here from another “dimension.” Adam will be able to sense that tether, the one that’s keeping it there. He’ll sever it, snapping the creature back to its home and breaking its pact with Walter.

Walter’s already pissy from the CPD’s discovery of what he was up to, and he’ll be orders of magnitude angrier when the pact is broken. Will he sense it right away, or will he depend on a more mundane sign? The latter, I think.